The Humble Pencil

I usually take students of eight years and older. Because I allow free expression, all the media from pencils to sepia and black pens and all water based colouring media are available at all times. Yet, something strange occurred: the older they are, the more they prefer pencil work. I have nothing against pencil work as it is an excellent way of making them very aware of tonal differences.

 

Out of curiosity though, I turned this into a discussion topic. Why do the older students prefer to work in pencil or sometimes pen only, thus mostly in monotone? I am still getting answers. A strange one was that they were provided with coloured crayons from an early age. I think I can see the budding little artist feeling that not everything in life could be red, blue, green or yellow! All could not be expressed in primary colours! More subdued media make them feel "grown-up"!

 

This is how I teach pencil drawing:

 

1. You work on thick paper that cannot tear too easily.
2. You do not have one pencil only, but a range of B pencils namely B2, B4, B6.
3. Your pencils are sharp so that you can see past the point of the pencil and you make good marks.
4. You start your drawing very softly... assertive kids tend to start with very hard marks, which 9 out of 10 times, they want to rub out again!
5. "Fuzzy" colouring-in with the side of the pencil and rubbing with fingers is only one technique that can be used here and there but not all over the work and cannot be your main technique.
6. I always use some of my own completed works to inspire the class, pointing out the various techniques and variety of pencils used.

This is my own work and one of the examples I
use to demonstrate the multiple uses of pencils.

Another of my pencil sketches. I included
watercolour pencil. I hope I can soon encourage
the class to add some colour to their pencil work

A teacher cannot be more pleased! The marks and
tones in this student's work show an
understanding of pencils. No fuzz and
blending, lots of marks, great shadows!

Knowing that my student was only 9 years
old, made me appreciate the directional
brushstrokes and original slogan!
And that is a perfectly round cork stopper which 
 makes the bottle seem round too.



I am excited about the discovery of their own "mark"! And by showing my work in the beginning of the lesson, we avoided the boring pencil blending which young students often do!

 

Young Artists Expressing Themselves

Introducing my students to journals was one of the best ideas ever. I wonder why I have never thought of it before. There is such pride in working in the journals and in having their drawings together in one place. I must add this: my students' work is not much like the popular craft hobby known as "Journaling"! We rather concentrate on a drawing of the day, and then, afterwards, the work can be embellished with affirmations and even half a page of writing.

 

Over time, the journals quickly became the students' pride and joy. Often they take them home to show parents their progress or to work for hours more at home. I started handing out small moleskine journals too, so that they have pocket drawing books to take on holidays and weekend trips. 

 

This young student of mine wanted to conform, by trying realism and rubbing out, rubbing out, trying to get it realistic and perfect. To my great joy, I could eventually guide her to relax, to forget about realism and about what others were doing, and to do her own "thing", which turned out delightful!  Here are two self-portraits brimming with joy and expressionism:

 

Self-portraits full of personality!

From a formal point of view, I was happy with the

placing of the eyes and other features, and with

the clever use of charcoal for the hair.

 

As her confidence grew, the student would say:

" I like animation!" Well, why not...and I thought drawing a violin from memory like that was quite an achievement!

 

And then came the  discovery of Manga eyes on the Internet!

To Google when they are at home and then draw from

the cell phone is something that I am not going to forbid.

 It is also a handy reference tool when they travel.

 

Let there be eyes! Anime eyes! 

 I now have my two large books of  Manga art by Christopher Hart available for reference in class. The opportunity is there to practice anime if my students are so inclined. It is not easy! I know, I tried and have a full sketch book to show for it! My reasoning is that anything we do in class, portrait, landscape, anime, etc, can in a few years' time become careers for my students.

 

Nothing gives me more joy, than realising that each student is developing in a natural way, doing what he/she does best.

There will always be great diversity and never a row

of identical projects coming out of the workshops!

Through the Looking Glass

I found this title in a book with the work of William Blake: "The Power of the Imagination", words I often use to inspire my students. They know that they can create works which are totally different from that of anybody else. Dividing their canvas or journal to get the "through the looking-glass" feeling was a great idea!

 

 

This is the first of the "transformation" paintings which
 I want to discuss with you.
How delightful! On the left there is a girl in a
suburban scene. I loved the broken wall.
Is that where you escape to a different world?
I really do not like to work on their nerves,
by trying to analise their vision or
ask "why" questions continiously!

Then the girl passes though the imaginary divide into
a forest filled with foliage, where her outfit is more
adventurous and she now has the curled horn of a faun. I love the serene and contented little face! How well the colours work together! We do not do colour wheels and formal boring lessons, so the yellow/ purple complimentary colours happened spontaneously!
 

 

 

The second painting, part of a journal

is the work of an eight-year old. On the right-hand side of the journal, a tiny girl, drawn in pencil, stands next to a plain tree and contemplates the "normal" scene, which is a watercolour of a green field with distant trees and sky. Some birds were done in

white oil crayon to magically

appear through the paint.

 

On the left side, the same tree shows curly branches which form an eye and an owl.  The total sky turns into a vertical rainbow. Do not miss the little white cloud with a tiny house drifting by!

Imagination is alive and  thriving!

 

Being almost 75, I always have a nap after the art class, as I live on adrenaline while amazing things happen in their journals or on their canvasses! I love what they are doing and specially the great originality my students possess. I think I postpone breathing until afterwards!

 

 

Not too Young to think out of the Box

In 2017 I settled into a retirement centre. Four of my young students (they later became five) wanted drawing classes (painting was already happening in another venue) and my tiny flat was ideal as a small drawing studio. To seat them all around a round table, I had to consider a smaller scale for their work. Journaling was the best choice. The drawings would be together in one book.

My Drawing and Creative Journaling classes consist of the following

• A theme is discussed. It could be books, still life, self knowledge, "plein-air", shells, etc.
• The students make an accurate drawing first, in which they learn observation and investigate the use of pencils, pens or brushes as drawing tools.
• The second part of the lesson is where the students think about the subject, telling more in the form of writing, illustration and affirmations.
• I always provide my students with small sketchbooks or journals so that they can draw wherever they go. To show me what they do at home is not compulsory, but they love to do it!

Having all their drawings together in one journal leads to pride in their work and the journals are sometimes taken away so that a parent or teacher can see the interesting collection of drawings and thoughts.

Lesson: Let's draw some boxes! As an artist from a young age, I was totally bored and irritated by formal perspective lessons. By drawing almost daily, my students will pick up on the vanishing point in boxes and street scenes.

You are only nine years old, and somebody put a box in front of you to draw. There is a lot of merit in this drawing: yes, there are lines that remain straight and lines moving away from the eye and there are sides and angles! I was happy with how the lid was placed! Slowly, we learn to observe! My older students created lighter and darker sides and shadows underneath and even drew the carved design. 

 

 

The creative and more relaxed part of the lesson brought lovely results. I handed out squares of paper to glue randomly onto the second page. Each square had to be turned into 3D-looking box! I loved the box with motivs on the sides and a shadow....and he knew he was "thinking out of the box" there! Other clever bits slipped in. These journals are going to be full of surprises!